BONES OF LIFE
Glass casting (Pâte de Verre), modeling of real chicken bones thus converting the real bones into a baby pink accesory that creates a feeling of softness and comfort alongside to a rather stinging ang scorching feeling created by the rough glass: the bones are placed on the body in a static and almost choking manner.
ART FOOD
White spoons - Glass casting (Pâte de Verre) at high temperature. Modeling disposable plastic spoons as a desire to copy the spoons piece-to-piece in pure white with glass lace edges, as an artistic element used for minimalistic food serving.
pink Spoons - Glass casting (Pâte de Verre), modeling disposable plastic spoons as a desire to produce decorative and aesthetic spoons made of rough pink glass as an element used for minimalistic food serving.
MY PINK GLASSES
Glass casting (Pâte de Verre) - Modeling Ready-Made glasses. I have created a precise copy of glasses including folding mechanism and invisible lenses that are visible-enough. I came to this work out of a desire to dream a world both seen and unseen through the undefined hole, but also through a very well-defined mechanism of glasses.
WHEN GLASS MEETS ME ... MY BODY ...
Performance art in cooperation with a dancer from the Dancing Academy, Jerusalem. The human body is an inseparable part of my work - the body creates an expression while the glass imposes meaning, and their both form powerful art. For me, this power grows stronger during move and balance. The objects were created completely intuitively.
CHAIRS OF EMOTION
Glass blowing. The chairs were made by blowing glass without patterns, a free sculpture created in harmony of inner passions.
'The empty chair' - a concept I consider tremendously powerful - the void's power is an emotion that I convey in every chair. The fragility of each chair emphasizes the powerful yet vacant emotion from which I approached this work. Every chair represents a different inner emotion that places me in a certain situation.
